abraso  is an artistic collective formed by Camilo Londoño Hernández and Juan Pablo Gavira Bedoya, two Colombian artists living in Germany. Since 2022, we have founded the Mobile Center for Intratropical Artistic Research and Affective Practices as a way to study the movements, commotions, relations, tensions, and fictions between the Global South, where we come from, and the Global North, where we reside (temporarily). From here (and there), we aim to highlight the crisis points between the center and geopolitical peripheries, exploring relations of scale in dialogue with various disciplines. 

In our recent career, we have participated in different shows and festivals in South America and Europe with projects like our performative video installation “La altura Indefinida” presented at the Pontificia Javeriana University and granted by the Ministry of Culture in Colombia; or the movie “El Nadador”, as a work in progress selected in spaces like FIDBA - International Documentary Film Festival of Buenos Aires and ENCOURAGE Talents Berlin. Recently, we performed our first residency, hosted by the PARCE Art Initiative in Ghent, Belgium, and supported by the Goethe Institut. Currently, we are collaborating with the Humboldt-Universität to present an interdisciplinary project between arts and sciences at the Fluid Interdisciplinarities Festival in Berlin next Autumn. 
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abraso / Centro Móvil de Investigación Artística y Prácticas Afectivas Intratropicales
(Mobile Center for Intratropical Artistic Research and Affective Practices)


abraso.info@gmail.com
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02.Interferometer


hosted by the PARCE Art Initiative
Ghent /  Belgium
2025
Measurements and mediations of
slower space-time


Granted by Goethe Institut and the Culture Moves Europe Fund 2025.

After a recent historical discovery where scientists documented the existence of gravitational waves that modify contemporary notions of space-time, abraso, the Mobile Center for Intratropical Artistic Research and Affective Practices, decided to imagine a present in which time, distorted by the affectations of those gravitational waves, accelerates immeasurably. 

Based on empirical, emotional, and experimental methodologies, we want to carry out a study to measure and resist, physically and affectively, this hurried time. For this purpose, Abraso's artists have invented the project “Interferometer: measurements and mediations of a slower space-time”, a place to think and activate delaying strategies counteracting the present speed in which we inhabit. Intertwining reality, history, and science fiction, this proposal displays a collective learning device to invite different audiences to imagine ways of inhabiting our present, thus speculating leisurely on possible futures.

Through fictional exercises and critical reflections, this artwork presents a stage to confront the hegemonic notion of time, and its implications in an era determined by the exploitation of resources, consumption, and overproduction. In our current technocentric and hypercapitalist world, Abraso proposes a meeting space of slowness and laziness to relieve an existential eagerness that has been hastily consuming the space of our time.

1/2    Minimalism in Germany: The Sixties, Hatje Cantz
2/2    Minimalism in Germany: The Sixties, Hatje Cantz

Link to video