abraso  is an artistic collective formed by Camilo Londoño Hernández and Juan Pablo Gavira Bedoya, two Colombian artists living in Germany. Since 2022, we have founded the Mobile Center for Intratropical Artistic Research and Affective Practices as a way to study the movements, commotions, relations, tensions, and fictions between the Global South, where we come from, and the Global North, where we reside (temporarily). From here (and there), we aim to highlight the crisis points between the center and geopolitical peripheries, exploring relations of scale in dialogue with various disciplines. 

In our recent career, we have participated in different shows and festivals in South America and Europe with projects like our performative video installation “La altura Indefinida” presented at the Pontificia Javeriana University and granted by the Ministry of Culture in Colombia; or the movie “El Nadador”, as a work in progress selected in spaces like FIDBA - International Documentary Film Festival of Buenos Aires and ENCOURAGE Talents Berlin. Recently, we performed our first residency, hosted by the PARCE Art Initiative in Ghent, Belgium, and supported by the Goethe Institut. Currently, we are collaborating with the Humboldt-Universität to present an interdisciplinary project between arts and sciences at the Fluid Interdisciplinarities Festival in Berlin next Autumn. 
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abraso / Centro Móvil de Investigación Artística y Prácticas Afectivas Intratropicales
(Mobile Center for Intratropical Artistic Research and Affective Practices)


abraso.info@gmail.com
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03.Brief proxemic study for the temporal reconfiguration of distances and measurements

Der Laden Gallery
Wiemer / Germany
2023

This project was a performative interview where 11 people were asked to try to explain with their bodies what they understand, don’t know, imagine and feel about the equinox. 

Taking advantage of the astronomical phenomenon that marks the transition from summer to autumn in the northern hemisphere, on September 23rd, 2023, a temporary observatory was installed in the Der Laden Gallery (Weimar, Germany) to study the affective understanding of this seasonal transit. There, a precarious observation area was (re)created where the artists, in the role of researchers, engaged in a dialogue with the participants of the experiment to digress around the understanding of the sun at this time of the year. In this dialogue, they reflected on themes and concepts such as language, translation, migration, and nostalgia as affective effects of the movement and intensity of the sun.

3/3    Matthew Barney: The Cremaster Cycle, Guggenheim Museum Publications